Inès is the mainstay of EcocleanPro, a small wholesale company selling household products. She gives herself body and soul to her boss PATRICK, in the love of a job well done. Although PATRICK is proud of his 1992 Manager of the Year award, the laziness of his employees JEAN-PAUL and JEAN-PIERRE play shoulder to shoulder with the boastfulness of NICO, the tiresome salesman.

Under the blasé gaze of the new trainee MELODY, the marketing phrases of the Benelux manager ANNA NILSSON open up a new mental space for Inès: she is the only one who never gets a raise, even though she works harder than the others. Is it because she is the only woman in this boys' club?
Ines takes her courage in both hands and for the first time insists on being augmented, but Patrick throws her out in two sentences. Ines gets screwed again; her frustration turns to anger. Ingesting Xanax and Viagra won't help. Ines wants her raise and all of EcoClean is going to pay cash for these years of exploitation.
Mélody's internship will finally prove to be very instructive...

"The cast is great, and the ending is pitch-perfect. So get ready to laugh until your sides hurt."  - Bobby LePire- Film Threat

"Jasmina Douieb and Laetitia Mampaka shine with hilarious rapport, making Employee Of The Month a comical, infinitely rewatchable joyride." - Nightmarish Conjurings

VRDLK: (pronounced Vor-Du-Lac) centers around a traveling diplomat that is caught in a snowstorm and forced to take shelter with a poor Serbian family.
When the family warns him of “beasts” that hunt in the night, he is quick to dismiss their fears as superstition and fairy tales - a mistake he may not have a chance to make twice.
Based on acclaimed Russian writer, Aleksey Tolstoy's 1839 gothic novella, "The Family of The Vourdulak"

After discovering her boyfriend's plan to propose on their weekend vacation, a young girl undergoes a crisis of commitment which attracts the attention of a sinister local cult.

Two detectives begin a routine investigation of what appears to be a homicide but there are no visible signs of death, the apartment is spotless, and there is a strange portrait of a little girl with bloody words written on it. It doesn't take them long to realize that something else is at the crime scene, lurking in the shadows.

Nothing goes unseen in this 80s camp creature short where the eyes of karma haunt one man's wrong choices.

Two sisters must fight off an unshakeable curse to survive in the desolate prairies of the 1800's

Whaley is inspired by the Whaley House, the most haunted house in America. Thomas Whaley, Sr. had knowingly built on cursed ground, the family home haunted by the ghosts of all who'd been executed there. During the editing of the footage of this short story, the crew discovered a mysterious figure. During one lone take, our camera passed the old courtroom. At one of the benches was a figure whose silhouette you can see. Watch the end credits to see the footage.
This short was made by possible by a grant from the California Arts Council. Alumni from Screamfest wrote, directed and produced this short film.

Amber's quiet night at home is interrupted by a chilling news report: A killer is on the loose in the area! Unsettled, she checks the locks and scans the outside. There's not a soul in sight. Perhaps a shower to clear the head... But Amber isn't alone and she's about to be put to the test. A deadly test she may not survive.

After a drug run goes bad - two childhood friends must survive one horrific night in a backwoods hell of drugs, bugs and obscene intimacy in this body horror nightmare.
Written and directed by Carter Smith (THE RUINS), SWALLOWED stars Jena Malone, Cooper Koch, Jose Colon and queer horror legend Mark Patton.

One day, a strange thing comes to her, who is suffering from being sexless with her boyfriend.

A housewife in the 1970's procures all the ingredients for a deadly dish that liberates her from not only her marriage, but reality itself.

Los Angeles 1949. Rupert, a young real estate agent, to prove his merit, pilfered an estate listing from his office. Upon arriving at the listed residence, he senses something amiss with the tenants of the house. Rupert is forced to consider, has his desperation for success cost him more than he can afford?