Shout! Factory presents THE PSYCHO LEGACY, the first documentary to unite and explore decades of Psycho movies in one place, revealing surprises and insights into what is considered the "grandfather of modern horror. Includes rare and never-before-seen interview footage with Anthony Perkins and dozens of interviews with the films cast, crew, writers and directors including Robert Loggia, Olivia Hussey, Henry Thomas, Diana Scarwid, Hilton Green, Tom Holland, Mick Garris, Richard Franklin and many more!

Obits is an homage to the horror anthology movie. The film comprises four chapters; chapter 1 - 'The Pack' Life on the run in a world under siege from werewolf-like creatures. Chapter 2 'See No Evil' A blind man wakes up beside his dead wife. Chapter 3 'The Hood' A tale of retribution set in the deep south. Chapter 4 'Meredith' A father struggles with the problems of raising a daughter with an unusual appetite.

A killer uses an 18th century machine with supernatural powers to terrorize students at a college.

Skye Rotter (Lauren McKnight) is on the run, having fled the Rollerdome massacre from My Super Psycho Sweet 16. With nowhere left to turn, Skye heads to the quiet town of Mill Basin and the mother who abandoned her years ago. There, she meets her younger half-sister, Alex (Kirsten Prout), and Alex's manipulative best friend, Zoe (Stella Maeve). Skye hopes she's finally found safety in her new family, but she's about to learn she can't outrun her past. While Brigg (Chris Zylka) desperately tries to locate her, Charlie Rotter (Alex Van) comes to town with one bloody mission: to turn Skye's upcoming birthday into a Sweet 16 she'll never forget. You're invited to the year's most killer party...as a weekend rager

A new human-engineered virus escapes its lab and spreads from person to person, turning ordinary neighbors into carnivorous creatures. A man attempts to escape from these unstoppable monstrosities, and finds a group of uninfected survivors who come up with a plan to get the virus genetic code to government scientists. The group doesn't know that one of them has started the relentless metamorphosis, because she has already been infected with "The Killing Strain."

In 1974, Glenville Sanatorium was the site of a brutal and horrific crime, as three hideously deformed cannibals went on a merciless killing spree. Now, years later, a group of college kids having the time of their life make a fateful wrong turn, giving this family of blood-thirsty cannibals new prey to stalk. The abandoned medical wards within the sanatorium soon become killing fields as the panicked victims come face to face with a chilling choice: fight back or die.

In the 1940s, Eve (Sharon Wright) flees shadowy figures in the bleak metropolis where she's survived since they first arrived. Though now among the hunted, Eve is one of the lucky few to avoid being dealt a dark fate by her pursuers. "It's amazing how little is left after someone loses their soul," she explains. "They feel nothing. No pain. No joy. Emptiness." Vowing she won't end up like the others, Eve attempts a daring escape from the city, armed with the one thing that still gives her life hope.

Something awaits 8,000 feet under the sea off the southern tip of Jeju Island.

The Eclipse is the offshore drilling rig stationed at Sector 7, a mining area in the vast open sea located off the southern tip of Jeju Island. The oil drilling excavations end in failure and headquarters gives the order to withdraw.

Captain Jeong-man is sent to oversee the crew's withdrawal from the Eclipse. However, Hae-jun, the equipment manager (played by Ha Ji-won), is adamantly opposed to the headquarters order, as she is certain that oil will be discovered in Sector 7. Motivated by Hae-jun's conviction of finding oil, the Captain suggests conducting one last drilling exercise.

While Hae-jun and the crew are fully engaged in their final attempt, they lose communication with headquarters, and the crew is overwhelmed by the disconcerting feeling that something is out there.

As bodies begin disappearing one by one, the few surviving need to think fast and fight for their lives in a non-stop battle against the mutant monster from the sea. Survival looks unlikely, but Hae-jun and the crew are determined to take any chance to get out of Sector 7 alive.

A group of kidnappers abduct the daughter of a wealthy socialite and hide out in an abandoned school in the middle of the woods. But feelings of guilt soon overtake the kidnappers, dividing the group and putting their entire plan in jeopardy. The evening further spirals out of control when their poorly chosen hideout becomes a hunting ground for a mysterious creature that requires springtime ritualistic sacrifices.

It's the little things that getcha.
Two old fishing buddies, Kickstand (Bill Moseley) and Bob (James Hurley), throw back a couple of beers at the local bar and bait shop while checking out the view, Sadie the busty brunette that served them (Erica Taylor). She's about to whip up their catch of the day when the doors fly open and two men covered in blood stumble in, Dan (Adam Savage) and his friend Dave-O (Penn Jillette). Bob mistakenly goes to investigate what's outside and opens the door to a little undead creature (Martin Klebba). With only fishing gear in reach, Dan and Kickstand work together to save Sadie and the town from the Little Dead.

A group of college kids travel to a small, mountain town called Madison County to interview the author of a tell-all book on the accounts of several grisly murders that happened there. But when the kids get to Madison County, the author is no where to be found and the town's people act like they haven't seen him in years. They also say that the killer never existed and the murders never happened. However, when the kids start digging around to get their own answers, they find out that the stories maybe more real than the townspeople are letting on!

Deep in a barren, fantastical wasteland lays a dilapidated circus tent. Inside, an ominous ringmaster forces his prized act, a real live mermaid to perform for a group of grimy, working class spectators. The mermaid, though frightening, is but a lovesick, caged animal praying for release from her endless torture. Unwilling to surrender his meal ticket, the ringmaster rejects her pleas for compassion and continues to confine the mermaid to her stagnant holding tank. With nowhere to escape to, the mermaid must make the choice between holding on to the hope of freedom and putting an end to her abuse.